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I’ve wanted to review an album by the prolific Jack Hertz for a while, and the timing of his latest album, “Speleo” is just right. Jack runs the Sound for Good netlabel, where profits from sales of downloads and CDs go to charity. Eagle-eyed readers may recall me talking about Sound for Good on my earlier review of William Spivey and Aos Crowley’s “Absence of Matter“. It’s notable that, in just four months, already the label has reached its sixth release.
The album’s notes state that…Continue
Roberto Massoni‘s “Diter:0″ is the first album to be released on the Docil netlabel, which is based in Argentina. According to the Internet Archive, the label may previously have been named Data. The label also has a SoundCloud page with some additional tracks. The description on this release’s webpage (as translated by Google) describes the music as being “created from the kindness and acceptance of happiness”.
At just over half an hour long, the album moves from one slow, perfect…Continue
It’s always exciting when a new netlabel launches. Petroglyph Music is a fresh Norwegian label which intends to focus on ambient and experimental music and their subgenres. The label currently has two releases under its belt, having been launched just over two weeks ago. Some of Rune Martinsen’s earlier work can be found under the name Abhorrent Beauty; Øystein Jørgensen has also recorded fairly prolifically under the Ambient Fabric name.
To say that the minimalist cover of “Mysterium…Continue
I used to have this album on vinyl many years ago. I'm loving the old Gramophone (UK) magazine review I just found from 1967, with the quote "Electronic music gets little attention in this country because facilities for its production are so limited." How things have changed. (note: the review has a second page) http://j.mp/Mrj14v